Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” “It was more than love,” he answered. “It was idolatry. God punished me for it. He was a hard God, my God.”!

Mary’s work was finished. She sat upright in her straight-backed chair before the table, her eyes half closed. It seemed so odd to see those little work-worn hands idle upon her lap. “Only through the bars, in future,” she promised. “With the gaoler between us.” She put her arms round Flossie and bent her head, so that her face was hidden.

Madge flashed Joan a look. She considered Joan’s position already secured. Mrs. Denton was the doyen of women journalists. She edited a monthly review and was leader writer of one of the most important dailies, besides being the controlling spirit of various social movements. Anyone she “took up” would be assured of steady work. The pay might not be able to compete with the prices paid for more popular journalism, but it would afford a foundation, and give to Joan that opportunity for influence which was her main ambition. “No,” explained the Human Document, in the same quick, even tones; “so far as I was concerned, I was not conscious of any alteration in my own attitude. But he felt the need of more solitude—for his development. We parted quite good friends.” But even that did not help her. It seemed in some mysterious way to be no longer her room, but the room of someone she had known and half forgotten: who would never come back. It gave her the same feeling she had experienced on returning to the house in London: that the place was haunted. The high cheval glass from her mother’s dressing-room had been brought there for her use. The picture of an absurdly small child—the child to whom this room had once belonged—standing before it naked, rose before her eyes. She had wanted to see herself. She had thought that only her clothes stood in the way. If we could but see ourselves, as in some magic mirror? All the garments usage and education has dressed us up in laid aside. What was she underneath her artificial niceties, her prim moralities, her laboriously acquired restraints, her unconscious pretences and hypocrisies? She changed her clothes for a loose robe, and putting out the light drew back the curtains. The moon peeped in over the top of the tall pines, but it only stared at her, indifferent. It seemed to be looking for somebody else.